How much advance notice do I need to book a project?

Quality.

While my aim is to make every final photograph look simple, natural, and effortless — that’s rarely the fact.

A well executed photograph involves balancing many factors such as composition, lighting, styling, blending and retouching, it’s a lot of problem solving that comes with experience.

In addition, commercial photography involves collaboration with clients, art directors, marketing teams, and other professionals to bring their vision to life.

Yes.

I regularly work with clients on ongoing and repeat projects, whether that’s maintaining a consistent image library, documenting updates over time, or supporting evolving marketing needs. When projects extend beyond photography, I can also collaborate with a trusted network of designers, retouchers, and production partners to ensure continuity and consistency across deliverables.

This approach allows for long-term relationships without locking projects into unnecessary structure or scale.

Yes, you're the producer, I'm the director.

You (or your coordinator) can be involved in each stage of the process, from pre-production to the photoshoot and into post-production. During the actual shooting/filming, media can be shown on a monitor in real time so we all know we’re going in the right direction.

For those who prefer a more hands-off approach, we can schedule virtual a conference call over Zoom or Google Meet to review art direction, creative, model usage, etc.

Most projects are delivered within approximately two weeks of the final shoot day.

Turnaround time depends on the scope of the project and the amount of post-production involved. Straightforward edits often move more quickly, while projects that require additional review, creative decisions, or more extensive finishing may take a bit longer.

If you’re working toward a specific deadline, it’s best to mention that early. With clear scope and planning, timelines can often be adjusted to accommodate priority needs.

Experience.

Commercial photography, as with any specialty, requires its own unique set of skills, abilities and experience. From balancing light to working with perspective it takes years of training and practice to perfect all the nuances of commercial photography.

One of the key differences between a commercial photographer and other photographers, such as a real estate photographer, is their ability to capture images that effectively convey a message or tell a story that also matches the voice and tone of an existing brand.

2-4 weeks, ideally.

Commercial photography shoots can often take weeks of planning and preparation with very tight running schedules and deadlines. By providing as much advance notice as possible, we are better able to schedule and prepare for your shoot in a professional and reliable way.

Yes.

We have a talented team of individuals that assist with ongoing marketing, advertising, design, social media, web and other adjacent services.

Plan ahead.

Before inquiring, you should have a good idea of (a) how soon will you need the project done (b) whereabouts will the work take place and (c) what are some examples of what you want to achieve. It is also helpful to know who on your team will be the key decision maker/tie breaker, who will be the primary point of contact before, during, and after the shoot, and how much staff you have available to assist with the production process.

For the more detail oriented, feel free to review the AIA Best Practices Guide. Once you have a good idea of what your project might look like, give me a call at or shoot me an email to continue the planning process.

As many as you want.

There are many factors that go into the shot count and the yield depends heavily on the size and complexity of the project considering the styling, staging, lighting, models, permits/access, and other logistical needs.

For example, a mixed-day shoot with a few high value photographs and a package of social media / detail shots would provide more quantity, but overall less quality and vice verse.

When in doubt: Plan out your media needs (shot list) ahead of time and we will ensure the most important shots are prioritized.

Yes.

Smaller businesses pay less. Larger businesses pay more.

The scope of use is a major contributing factor in how creative work is priced; a small startup will have less reach than a global corporation and thus pays less to license the same work.

I price projects based on the creative and production needs, in combination with the specific use of the imagery. In other words, while a small business may not have the marketing or advertising budget to book models, props, and large scale venues, the deliverables I provide will still match the technical quality and expertise of a large big-budget corporate production.

If you have concerns about budgeting, contact me and we'll discuss possibilities.