Can you do aerial/drone projects? Are you licensed and insured?

Yes and yes.

I am licensed with the FAA, follow all airspace regulations, and carry full liability coverage for all commercial drone flights.

I also have experience with traditional helicopter-aerial projects for more specialized imagery or if we need to shoot from higher altitudes that are unavailable to drone based services.

Quality.

While my aim is to make every final photograph look simple, natural, and effortless — that’s rarely the fact.

A well executed photograph involves balancing many factors such as composition, lighting, styling, blending and retouching, it’s a lot of problem solving that comes with experience.

In addition, commercial photography involves collaboration with clients, art directors, marketing teams, and other professionals to bring their vision to life.

Las Vegas. Yes.‍

While I often serve resort and hospitality clients in Las Vegas, I accept projects from all around the world across a variety of styles including architecture, lifestyle, product, food, corporate and even construction projects.

Yes.

Smaller businesses pay less. Larger businesses pay more.

The scope of use is a major contributing factor in how creative work is priced; a small startup will have less reach than a global corporation and thus pays less to license the same work.

I price projects based on the creative and production needs, in combination with the specific use of the imagery. In other words, while a small business may not have the marketing or advertising budget to book models, props, and large scale venues, the deliverables I provide will still match the technical quality and expertise of a large big-budget corporate production.

If you have concerns about budgeting, contact me and we'll discuss possibilities.

We make photos and videos.

We create photography and media of architecture spaces, food and beverage, product and retail, lifestyle and editorial and skilled drone/aerial coverage.

Most projects are delivered within approximately two weeks of the final shoot day.

Turnaround time depends on the scope of the project and the amount of post-production involved. Straightforward edits often move more quickly, while projects that require additional review, creative decisions, or more extensive finishing may take a bit longer.

If you’re working toward a specific deadline, it’s best to mention that early. With clear scope and planning, timelines can often be adjusted to accommodate priority needs.

Yes.

If your project is a collaboration between multiple companies or organizations, you can split the hard costs of a production and pay usage/licensing fees just for the specific needs of your company. 

This is a great way to divide expenses and get the highest photography production for a fraction of the price.

Let me know if you'd like to discuss Cost Sharing or if your project involves any government agencies, NGOs, political affiliations etc.

No.

We love working with businesses of all sizes and budgets. We understand the importance for EVERY business to have impactful visuals to help them attract customers. We even offer specialized packages for startups or entrepreneurs on a budget.

‍

Yes, you're the producer, I'm the director.

You (or your coordinator) can be involved in each stage of the process, from pre-production to the photoshoot and into post-production. During the actual shooting/filming, media can be shown on a monitor in real time so we all know we’re going in the right direction.

For those who prefer a more hands-off approach, we can schedule virtual a conference call over Zoom or Google Meet to review art direction, creative, model usage, etc.

Time.

Today, people value their time more than ever and are making buying decisions faster then ever. Professional commercial photography can help businesses cut through the noise and effectively showcase their products or services in the best possible light, significantly impacting purchasing decisions.